wonder – Page 5 – In the Woods

unity in diversity

"John Burroughs" by Edward B. Greene — “John Burroughs” by Edward B. Greene

Science tends more and more to reveal to us the unity that underlies the diversity of nature. We must have diversity in our practical lives; we must seize Nature by many handles. But our intellectual lives demand unity, demand simplicity amid all this complexity. Our religious lives demand the same. Amid all the diversity of creeds and sects we are coming more and more to see that religion is one, that verbal differences and ceremonies are unimportant, and that the fundamental agreements are alone significant. Religion as a key or passport to some other world has had its day; as a mere set of statements or dogmas about the Infinite mystery it has had its day. Science makes us more and more at home in this world, and is coming more and more, to the intuitional mind, to have a religious value. Science kills credulity and superstition but to the well-balanced mind it enhances the feeling of wonder, of veneration, and of kinship which we feel in the presence of the marvelous universe. It quiets our fears and apprehensions, it pours oil upon the troubled waters of our lives, and reconciles us to the world as it is.
~ John Burroughs
(Accepting the Universe)

arrows and circles

Sometimes you get there in spite of the route
Losing track of your life and what it’s about
The road seems to know when to straighten right out…
I could wonder if all of it led me to you
I could show you the arrows and circles I drew
I didn’t have a map, it’s the best I could do
On the fly and on the run
~ Mary Chapin Carpenter
♫ (Elysium) ♫

writing therapy

Writing is a form of therapy; sometimes I wonder how all those who do not write, compose or paint can manage to escape the madness, the melancholia, the panic fear which is inherent in the human situation.
~ Graham Greene
(Ways of Escape)

a blue flower

"Anemones" by Eilif Peterssen — “Anemones” by Eilif Peterssen

I held a blue flower in my hand, probably a wild aster, wondering what its name was, and then thought that human names for natural things are superfluous. Nature herself does not name them. The important thing is to know this flower, look at its color until the blueness becomes as real as a keynote of music.
~ Sally Carrighar
(Home to the Wilderness)

impossible reality

M. C. Escher
Drawing Hands, 1948
Image via Wikipedia

Saturday Larisa, Dima, Tim & I were very excited to visit this special exhibition at the New Britain Museum of American Art. There were 130 works of the Dutch graphic artist M. C. Escher on display, most, if not all of them, from the collection owned by the Herakleidon Museum in Athens, Greece. There is a photo gallery at the bottom of this web page that shows many of the works we got to examine yesterday.

The Herakleidon Museum’s collection consists of more than of 250 of Escher’s “most important and rare works as well as woodcuts, mezzotints, lithographs, photographs of the artist, sculptures and many of his personal items.” At the New Britain Museum of American Art we got to see “the extremely rare lithograph stone for the making of Flat Worms.”

According to the museum’s website: “Maurits Cornelis Escher (1898-1972) has earned worldwide acclaim as a master printmaker, draftsman, book illustrator, and muralist. Though never having studied extensively in mathematics, the mind-bending techniques and impossible realities depicted in M. C. Escher’s works prove him a brilliant mathematician. Much of Escher’s work is intuitive; without focusing on labels, Escher created what came to him instinctively.“

I picked up this book in the gift shop which includes Escher’s comments on some of his works. Wish I could include some illustrations in this post, but every picture of his work is copyrighted! But here is a link to the Oldest Escher Collection on the Web.

My two favorites were “Hand with reflecting globe” and “G.A. Escher,” a drawing of his father at age 92, reading a paper with a magnifying glass. We also learned that Escher had a half-brother, Berend George Escher, a Dutch geologist, who influenced M. C.’s work with his knowledge of crystals. Tim had four favorites: “Metamorphose,” “Mosaic I,” “Moebius band II,” and, shown at the beginning of this post, “Drawing hands.”

The exhibit will be in New Britain, Connecticut, until November 14, and then will be traveling to the Akron Art Museum in Akron, Ohio. Not sure if that’s it, but it is definitely worth making an effort to see. I loved one of Escher’s quotes they had on display:

He who wonders discovers that this is in itself a wonder.
~ M. C. Escher

The Oldest Escher Collection on the Web