On that specific Pillow Our projects flit away — The Night’s tremendous Morrow And whether sleep will stay Or usher us — a stranger — To situations new The effort to comprise it Is all the soul can do — ~ Emily Dickinson (The Poems of Emily Dickinson, #1554)
This poem brings to mind the restless sleep or sleeplessness we might have the night before a new experience, like the first day of school or a new job. Or traveling to a place we’ve never been to before.
But I suspect Emily is talking about death. The specific pillow, the kind we find in a coffin, when death interrupts all our projects. Will we stay asleep in death or will we find ourselves in a new situation, an unfamiliar life after death? There are many “answers” to choose from but there is no way to “know” for sure. The universe is full of wonder and mystery. After years of spiritual struggle I’ve finally made peace with uncertainty, sometime in my 40s I think. Just this. Here/now.
Such is the Force of Happiness — The Least — can lift a ton Assisted by it’s stimulus —
Who Misery — sustain — No Sinew can afford — The Cargo of Themselves — Too infinite for Consciousness’ Slow capabilities —
~ Emily Dickinson (The Poems of Emily Dickinson, #889)
We planted this tree in our garden in the spring of 2014 and it has brought me so much happiness. Especially in this season, when the leaves come in and start competing with the bark curls for visual interest. When I open my kitchen shades each morning and see more and more green ~ pure joy. In summer it protects the kitchen windows from the harshest afternoon sun.
Yes, happiness is uplifting, and misery weighs us down, too heavy, impossible to carry alone. Grieving a loss is often a slow process, and might last a lifetime.
I count having the company of this tree as one of my many blessings.
One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever. One knows it sometimes when one gets up at the tender solemn dawn-time and goes out and stands alone and throws one’s head far back and looks up and up and watches thepale sky slowly changing and flushing and marvelous unknown things happening until the East almost makes one cry out and one’s heart stands still at the strange unchanging majesty of the rising of the sun — which has been happening every morning for thousands and thousands and thousands of years. One knows it then for a moment or so. And one knows it sometimes when one stands by oneself in a wood at sunset and the mysterious deep gold stillness slanting through and under the branches seems to be saying slowly again and again something one cannot quite hear, however much one tries. Then sometimes the immense quiet of the dark blue at night with millions of stars waiting and watching makes one sure; and sometimes a sound of far-off music makes it true; and sometimes a look in some one’s eyes. ~ Frances Hodgson Burnett (The Secret Garden)
I’m still poking around through my childhood papers and drawings. My mother was the true bookworm in our family. So many images coming back to me now, like my parents in the evening, my mother with her nose in the newspaper and my father watching television.
At bedtime, my mother read to us, even after we were old enough to read for ourselves. One of my favorite books was The Secret Garden by Frances Hodgson Burnett. (Apparently I loved it so much I illustrated my own version of a secret garden.) And often my father would start playing the piano, gentle Bach lullabies sending us off to sleep.
Spring is in the air! Time to pick up the pace and plow through some more boxes. Onward!
Man is no mushroom growth of yesterday. His roots strike deep into the hallow’d mould Of the dead centuries; ordinances old Govern us, whether gladly we obey Or vainly struggle to resist their sway: Our thoughts by ancient thinkers are controll’d, And many a word in which our thoughts are told Was coined long since in regions far away. The strong-soul’d nations, destin’d to be great, Honour their sires and reverence the Past; They cherish and improve their heritage. The weak, in blind self trust or headlong rage, The olden time’s transmitted treasure cast Behind them, and bemoan their loss too late. ~ John Kells Ingram (Sonnets & Other Poems)
The things we think and say and do. We don’t grow up in a vacuum, our parents teach us many things, either by word or example. Their parents taught them, too. Messages and mannerisms get passed down through the generations, often without awareness. Subconsciously we just know and do.
When we were getting tucked into bed as children, our mother would tell us to sleep tight and wish us sweet dreams. Who was the first mother who used this expression? At the end of one of the last phone calls I had with my mother before she died, she said “sleep tight” instead of “good-bye.” I hadn’t heard her say that in years, although I was saying it often to my own children at bedtime.
The “tight” in “sleep tight,” meaning “sleep soundly,” almost certainly comes from the use of “tight” and “tightly” to mean “soundly, securely, properly,” a use that dates back to Shakespeare. The phrase “sleep tight” also first appeared in the mid-19th century. (The Word Detective, August 14, 2008)
Although I may not agree with all the sentiments in John Kells Ingram’s poem, I do love the idea that “many a word in which our thoughts are told was coined long since in regions far away.” It reminds me of a quote I like even better, which I shared in a post seven years ago.
We all grow up with the weight of history on us. Our ancestors dwell in the attics of our brains as they do in the spiraling chains of knowledge hidden in every cell of our bodies. These spirits form our lives, and they may reveal themselves in mere trivialities – a quirk of speech, a way of folding a shirt. From the earliest days of my life, I encountered the past at every turn, in every season. ~ Shirley Abbott (Womenfolks: Growing Up Down South)
Tracks are an ancient, magnetic language — pulling us in with possibility. The elusive poetry of a print, unlike the muscular certainty of a border line inked in an atlas, reveals details of a life being lived. A tracery of passing impressions, tracks can be as delicate as the brushstroke of a bird’s wings, as bold as a hunting fox. They speak a mutable tongue, transforming from the moment they appear before finally vanishing, to be eventually overlaid by another script. But if you happen upon a set of tracks in their brief and fragile time, they can tell you things you never knew. They can take you places you’ve never been, and lend form to a fleeting world. ~ Julian Hoffman (The Small Heart of Things: Being at Home in a Beckoning World)
I’ve been waiting a long time to take a photograph to pair with this lovely quote. At first I imagined gull tracks in the sand at the beach. One day in North Carolina I found deer tracks in the mud on my way to the community compost pile, and then saw a deer enjoying some newly deposited vegetable scraps. No camera on me, though. But this morning we discovered these tracks on the balcony.
Starling tracks, no doubt. Not my favorite bird, but they spend a lot of time on the balcony, walking around, trying to figure out how to get to the woodpecker feeder. After a few hours of sunshine, the tracks and the thin layer of snow have now vanished.
This may be our winter of no snow. It snowed here in November when we were in North Carolina. It snowed in North Carolina in December when we were here in Connecticut. While we’ve had flurries now and then there has been nothing to shovel!
After nursing our terrible colds for more than a week we’re starting to get back to normal. I finally got a good start on the boxes of family history stuff and hope to keep going all winter and spring. Maybe things have settled down enough and I can actually get through this!!!
Once I realized I was old enough to die, I decided that I was also old enough not to incur any more suffering, annoyance, or boredom in the pursuit of a longer life. I eat well, meaning I choose foods that taste good and that will stave off hunger for as long as possible, like protein, fiber, and fats. I exercise — not because it will make me live longer but because it feels good when I do. As for medical care: I will seek help for an urgent problem, but I am no longer interested in looking for problems that remain undetectable to me. Ideally, the determination of when one is old enough to die should be a personal decision, based on a judgment of the likely benefits, if any, of medical care and — just as important at a certain age — how we choose to spend the time that remains to us. … In giving up on preventative care, I’m just taking this line of thinking a step further: Not only do I reject the torment of a medicalized death, but I refuse to accept a medicalized life, and my determination only deepens with age. As the time that remains to me shrinks, each month and day becomes too precious to spend in windowless waiting rooms and under the cold scrutiny of machines. Being old enough to die is an achievement, not a defeat, and the freedom it brings is worth celebrating. ~ Barbara Ehrenreich (Natural Causes: An Epidemic of Wellness, the Certainty of Dying, and Killing Ourselves to Live Longer)
A year after my cancer surgery it seems like a good time to mention a book that tumbled into my life at just the right moment. After my brush with a life-threatening illness, the ideas set forth in Barbara Ehrenreich’s book, Natural Causes, make a whole lot of sense to me.
I spent many years carting my mother-in-law, my aunt and my father around to those “windowless waiting rooms,” getting test after test, some of them downright painful. My aunt finally put her foot down and proclaimed, “Whatever I’ve got, I’m taking it with me.”
She lived to be 103 in spite of refusing all the standard tests recommended for her in the last years of her life. When she died, it was from an infection. After accepting treatment for a day or two, she finally refused treatment for that, too.
Nothing ever came of those countless tests.
In my own case, because my mother died of breast cancer, I have submitted to many “required” mammograms and wound up with three false positives, causing weeks of anxiety. Now I refused to have any more. At this point in my life I am old enough to die, and if I wake up one morning and feel a lump in my breast, so be it.
The endometrial cancer I wound up getting? Well, there is no screening for it. Irony.
Fortunately I’ve found a general practitioner who understands my feelings and treats my “urgent problems” without pushing me into a “medicalized life.” Barbara Ehrenreich’s book has all the facts and figures I needed to convince me that as a culture, we are indeed killing ourselves, or at least making ourselves miserable, in order to live longer. All these expensive, invasive tests have not increased our lifespans.
Therefore, I have chosen to enjoy spending whatever time I have left to me without borrowing trouble.
Little grandson Finn has been home for a few days now and we are all very busy! His name is Irish, given to him as a nod to his family’s year in Ireland, where he was conceived.
Finn McCool (Fionn mac Cumhaill) was a legendary Irish giant who fought the Scottish giant Benandonner, who was threatening Ireland. Larisa, Dima and Katherine visited the Giant’s Causeway while they were in Ireland.
A blessing for a brother written by John O’Donohue:
The knowing that binds us Is older than the apostrophe of cell We formed from within the one womb.
All that flowed into us there From the red village of ancestry Sowed spores of continuity That would one day flower Into flickers of resemblance:
An unconscious gesture Could echo an ancestor, And the look of us stir Recognition of belonging That is ours alone;
And our difference finding Its own rhythm of strangeness, Leading us deeper into a self That would always know its own Regardless of difficulty and distance; And through hurt no other could inflict;
Still somehow beside each other Though the night is dark With wind that loves To clean the bones of ruins, Making further room for light.
If you rake fallen leaves into a pile and then examine them, you will see that each one shows a consummately clean break at the same place near the base of the stem. The fall of leaves is highly choreographed: First the green pigments are pulled back behind the narrow row of cells marking the border between stem and branch. Then, on the mysteriously appointed day, this row of cells is dehydrated and becomes weak and brittle. The weight of the leaf is now sufficient to bend and snap it from the branch. It takes a tree only a week to discard its entire year’s work, cast off like a dress barely worn but too unfashionable for further use. Can you imagine throwing away all of your possessions once a year because you are secure in your expectation that you will be able to replace them in a matter of weeks? These brave trees lay all of their earthly treasures on the soil, where moth and rust doth immediately corrupt. They know better than all the saints and martyrs put together exactly how to store next year’s treasure in Heaven, where the heart shall be also. ~ Hope Jahren (Lab Girl)