recognize and respond

“An Angel” by Marianne Stokes

The gleam of an heroic act
Such strange illumination
The Possible’s slow fuse is lit
By the Imagination.
~ Emily Dickinson
(The Poems of Emily Dickinson, #1686)

The concern of the Primary Imagination, its only concern, is with sacred beings and events. The sacred is that to which it is obliged to respond; the profane is that to which it cannot respond and therefore does not know… A sacred being cannot be anticipated, it must be encountered… All imaginations do not recognize the same sacred beings or events, but every imagination responds to those it recognizes in the same way.
~ W. H. Auden
(The Dyer’s Hand)

spring fever

baby red fox by Lamar Gore
baby red fox by Lamar Gore

It’s spring fever. That is what the name of it is. And when you’ve got it, you want – oh, you don’t quite know what it is you do want, but it just fairly makes your heart ache, you want it so!
~ Mark Twain
(Tom Sawyer, Detective)

“Springtime in Giverny” by Claude Monet
“Springtime in Giverny” by Claude Monet

We discover a new world every time we see the earth again after it has been covered for a season with snow.
~ Henry David Thoreau
(Journal)

“Spring Princess” by Carl Larsson
“Spring Princess” by Carl Larsson

My slowly growing pysanky collection…

3.18.11 ~ Groton, Connecticut

I made two of the (less prominent) Ukrainian Easter eggs myself several years ago when Aunt Delorma and I took a workshop. It’s NOT easy!!! Can you guess which ones?

book of events

“The Artist’s Mother in the Little Room” by Hans Thoma
“The Artist’s Mother in the Little Room”
by Hans Thoma

One year ago today I started writing this blog. Changes…

…I use those little dots a lot…

I think it’s because, as the amazing Polish poet, Wisława Szymborska observes:

Every beginning is always a sequel, after all,
and the book of events is always open halfway through.

Changes keep coming along, welcome or unwelcome, keeping us on our toes, and the Japanese scholar Kakuzō Okakura reminds his readers:

The art of life lies in a constant readjustment to our surroundings.

I feel like I’ve fumbled around this past year, but have finally accepted that this blog has been and is going to be a hodgepodge of anything and everything I think about, dream about, or experience, although the line between “reality” and dreams in my consciousness is often pretty fuzzy. For this blog, over the year I have tried out five WordPress themes, Coraline, Structure, Tarski, Treba, and this one, Elegant Grunge, as far as I can remember. It’s fun playing with the widgets! My favorite posts are the ones with pictures taken on my nature walks with Bernie, Beverly, Janet and Tim. Making friends with my readers, reading their comments here and reading and commenting on their blogs is the best part of being in the blogosphere!

On March 14, 2010 I started another blog, called “…select and collect all the words…,” which was at first to house my collection of quotes. Then I discovered all the art available in the public domain at Wikimedia Commons! So I spent hours pairing quotes with paintings, and wound up neglecting this blog. Finally on January 6, 2011, I posted my last quote there, and made the decision to merge the contents of that blog into this blog. It will take some time, but for now I think I’ll post quotes and paintings on the weekends. Of course, that may change, too.

On March 23, 2010 I started a family history blog for our relatives, close family and distant cousins, Rodgers Family History. (Actually we had a family history website since 2004. I created it on our own domain using Front Page 2000. But using WordPress has been a nice change, making presentation and navigation so much easier.) That “blog” has been neglected, too, but new cousins have found what is already up there and generously added to my database. Connecting with them has been so satisfying. I hope to get more of my data up there in the near future.

“Sailboats in Le Petit-Gennevilliers” by Claude Monet
“Sailboats in Le Petit-Gennevilliers” by Claude Monet

A slower and incomplete change has been The Change, a hormonal storm through which I am still trying to navigate. The seas around my little boat are pretty choppy, and I’m never sure if I’m making the waves or being tossed around by what others are leaving in their wakes as they sail, drift, or jet-ski through their own lives. And then there is an energy from the tides that doesn’t originate with people, but pulls from the universe through the moon. Steady and yar…

A year ago I was asking Stevie Nick’s questions:

Can I sail through the changing ocean tides?
Can I handle the seasons of my life?

I am still asking. And sometimes answering affirmatively. Some day I hope Carole King’s lyrics will be my most frequent answer…

My life has been a tapestry
Of rich and royal hue;
An everlasting vision
Of the ever-changing view;
A wondrous woven magic
In bits of blue and gold;
A tapestry to feel and see;
Impossible to hold.

Well, it just occurred to me that perhaps this blog isn’t a hodgepodge, but a tapestry! And with that thought, I’m off to embrace another year of writing about the “ever-changing view.”

impossible reality

M. C. Escher
Drawing Hands, 1948
Image via Wikipedia

Saturday Larisa, Dima, Tim & I were very excited to visit this special exhibition at the New Britain Museum of American Art. There were 130 works of the Dutch graphic artist M. C. Escher on display, most, if not all of them, from the collection owned by the Herakleidon Museum in Athens, Greece. There is a photo gallery at the bottom of this web page that shows many of the works we got to examine yesterday.

The Herakleidon Museum’s collection consists of more than of 250 of Escher’s “most important and rare works as well as woodcuts, mezzotints, lithographs, photographs of the artist, sculptures and many of his personal items.” At the New Britain Museum of American Art we got to see “the extremely rare lithograph stone for the making of Flat Worms.”

According to the museum’s website: “Maurits Cornelis Escher (1898-1972) has earned worldwide acclaim as a master printmaker, draftsman, book illustrator, and muralist. Though never having studied extensively in mathematics, the mind-bending techniques and impossible realities depicted in M. C. Escher’s works prove him a brilliant mathematician. Much of Escher’s work is intuitive; without focusing on labels, Escher created what came to him instinctively.

I picked up this book in the gift shop which includes Escher’s comments on some of his works. Wish I could include some illustrations in this post, but every picture of his work is copyrighted! But here is a link to the Oldest Escher Collection on the Web.

My two favorites were “Hand with reflecting globe” and “G.A. Escher,” a drawing of his father at age 92, reading a paper with a magnifying glass. We also learned that Escher had a half-brother, Berend George Escher, a Dutch geologist, who influenced M. C.’s work with his knowledge of crystals. Tim had four favorites: “Metamorphose,” “Mosaic I,” “Moebius band II,” and, shown at the beginning of this post, “Drawing hands.”

The exhibit will be in New Britain, Connecticut, until November 14, and then will be traveling to the Akron Art Museum in Akron, Ohio. Not sure if that’s it, but it is definitely worth making an effort to see. I loved one of Escher’s quotes they had on display:

He who wonders discovers that this is in itself a wonder.
~ M. C. Escher

The Oldest Escher Collection on the Web