Some adopt a rigid system that answers all possible questions and so you don’t have to think beyond its systems. The other response is much more seemingly fragile but much more expansive, because it doesn’t lay down a rigid framework. It allows you to move within the mystery of it. And that seems to be flowering right now. I think people are more and more interested in embracing that because they’ve been through everything else. It is a willingness to embrace mystery, a willingness to embrace not knowing, allowing that intuitive awareness to speak. ~ Paul John Roach (The Translucent Revolution)
There’s more than one answer to these questions Pointing me in a crooked line The less I seek my source for some definitive The closer I am to fine ~ Emily Saliers ♫ (Closer to Fine) ♫
Any knowledge that doesn’t lead to new questions quickly dies out: it fails to maintain the temperature required for sustaining life. ~ Wisława Szymborska (Poems New & Collected)
Science tends more and more to reveal to us the unity that underlies the diversity of nature. We must have diversity in our practical lives; we must seize Nature by many handles. But our intellectual lives demand unity, demand simplicity amid all this complexity. Our religious lives demand the same. Amid all the diversity of creeds and sects we are coming more and more to see that religion is one, that verbal differences and ceremonies are unimportant, and that the fundamental agreements are alone significant. Religion as a key or passport to some other world has had its day; as a mere set of statements or dogmas about the Infinite mystery it has had its day. Science makes us more and more at home in this world, and is coming more and more, to the intuitional mind, to have a religious value. Science kills credulity and superstition but to the well-balanced mind it enhances the feeling of wonder, of veneration, and of kinship which we feel in the presence of the marvelous universe. It quiets our fears and apprehensions, it pours oil upon the troubled waters of our lives, and reconciles us to the world as it is. ~ John Burroughs (Accepting the Universe)
There is something more to the world than what you are able to measure, analyze, and quantify. There is a dance between what you know and what you don’t know. The place of mystery is an essential ingredient. ~ Satish Kumar (Visionaries: People & Ideas to Change Your Life)
Within walking distance of any spot on Earth there’s probably more than enough mystery to investigate in a lifetime. ~ Alix Kates Shulman (Drinking the Rain)
The universe is a more amazing puzzle than ever, as you glance along this bewildering series of animated forms, – the hazy butterflies, the carved shells, the birds, beasts, fishes, snakes, and the upheaving principle of life everywhere incipient, in the very rock aping organized forms. Not a form so grotesque, so savage, nor so beautiful but is an expression of some property inherent in man the observer, — an occult relation between the very scorpions and man. I feel the centipede in me, — cayman, carp, eagle, and fox. I am moved by strange sympathies; I say continually, “I will be a naturalist.” ~ Ralph Waldo Emerson (Journals)
Sometimes, if you stand on the bottom rail of a bridge and lean over to watch the river slipping slowly away beneath you, you will suddenly know everything there is to be known.
~ A. A. Milne
(The Adventures of Winnie the Pooh)
Is graffiti art? I don’t know, though I tend to think that it is. Some of it seems very creative. I tend to think of graffiti as something painted illegally onto man-made structures like buildings and bridges, often with a negative message. But not always. How about when inspiration moves someone to paint something natural, like a tree or a rock, what might that be called?
These pictures were taken in October 2007 in the woods behind our condo complex.
We often wonder who the mysterious anonymous artist could be… What can you tell about an artist from her work and where she chooses to exhibit it?
When I was little we passed what we called Frog Rock (right) in Eastford on our way to the Cape almost every month. It doesn’t seem so big now as it once did. We’d beg Dad to drive by it slowly so we could get a good look at it from all angles.
I grew up in Storrs, Connecticut, home of the University of Connecticut. I’m used to seeing art on rocks on the campus, including on a large outcrop on South Eagleville Road, sanctioned for painting. There are new creations painted over it every time I go by, and have been for as long as I can remember. Perhaps this experience has conditioned me not to be surprised, but rather fascinated, when finding art co-existing with nature in the woods or by the side of the road. I wonder how many layers of paint on that outcrop in over 50 years???
Every artist dips his brush in his own soul and paints his own nature into his picture. ~ Henry Ward Beecher (Proverbs from Plymouth Pulpit)
Here’s another bit of Connecticut nature art, Snake Rock (right) in Marlborough.
So, are these creations art? Graffiti? Or something else? I suspect that “art” cannot be definitively defined, and that like beauty, is in the eye of the beholder…
7.2.10 ~ Connecticut College Arboretum New London, Connecticut
…Cool, verdant spaces Beneath the trees Secret empty places Nobody knows… ~ Mary Chapin Carpenter ♫ (I Have a Need for Solitude) ♫
Last week we had a spell of absolutely perfect weather. No humidity and comfortable mid-70 temperatures. One morning Janet and I went out for a lengthy walk deep into the woods. We were beckoned off the paths a few times and got a little lost, well, not terribly lost, just a little confused… As far as I can tell, we only went around in a circle once, and only had to retrace our steps one time.
I have only recently learned that stone walls, which I see everywhere I go, are almost completely absent outside of New England. The first European settlers to arrive here started clearing the woods for their farms, and the exposed topsoil began to erode. Rain would soak deeper into the subsoil, which was full of rocks. When the moisture froze and expanded, it pushed these rocks to the surface, and they began to call them New England potatoes. What better thing to do with the “crop” than to clear them off the fields and build them into stone walls?
In the 1800s people began abandoning their farms to live in cities or to move out west as pioneers in the westward expansion, and the woods came back to much of New England. And so it is that one cannot take a walk in the woods without encountering at least one of these ubiquitous grey stone walls.
7.2.10 ~ wondering who built this stone wall
On this day the sky was bluer than blue and the sun was so bright, its light penetrating through the tree canopy wherever the leaves let it through. The contrast between the splotches of bright light and dark cool shade was striking.
7.2.10 ~ to see the summer sky
To see the Summer Sky Is Poetry, though never in a Book it lie – True Poems flee – ~ Emily Dickinson (The Poems of Emily Dickinson, #1491)
Sun-stone’s kiss, midsummer pleasure, Welcome all and some. ~ Caitlín Matthews (The Celtic Spirit: Daily Meditations for the Turning Year)
7.2.10 ~ sun-stone’s kiss
The stars speak through the stones. Light shines in the densest matter. Earth and heaven are one. Our physical beings and our heavenly souls are united in the mystery of being. ~ Philip Carr-Gomm (Druid Mysteries: Ancient Wisdom for the 21st Century)
